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Storyline Godzilla
Fifteen years after an 'incident' at a Japanese nuclear power plant, physicist Joe Brody joins forces with his soldier son Ford to discover for themselves what really happened. What they uncover is prelude to global-threatening devastation. An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence.

A king's arrival is never silent.

Movie details Godzilla

Release : 2014-05-16
Genre : Thriller, Action, Science Fiction
Runtime : 123 minutes
Company : Toho Company, Legendary Pictures, Warner Bros., Disruption Entertainment, RatPac-Dune Entertainment

Cast

	Aaron Taylor-Johnson	as	Ford Brody
	Ken Watanabe	as	Dr. Ishiro Serizawa
	Elizabeth Olsen	as	Elle Brody
	Bryan Cranston	as	Joe Brody
	Juliette Binoche	as	Sandra Brody
	Sally Hawkins	as	Vivienne Graham
	David Strathairn	as	Admiral William Stenz
	CJ Adams	as	Young Ford
	Carson Bolde	as	Sam Brody
	Richard T. Jones	as	Captain Russell Hampton
	Victor Rasuk	as	Tre Morales
	Patrick Sabongui	as	Master Sargeant Marcus Waltz
	Jared Keeso	as	Jump Master
	Luc Roderique	as	Bomb Tracker
	James Pizzinato	as	HALO Jumper
	Al Sapienza	as	Huddleston
	Brian Markinson	as	Whelan
	Yuki Morita	as	Akio's Mother
	Chris Shields	as	Dispatch Officer
	Catherine Lough Haggquist	as	PO Martinez
	Eric Keenleyside	as	Boyd
	Ken Yamamura	as	Takashi
	Hiro Kanagawa	as	Hayato
	James D. Dever	as	Captain Freeman
	Ty Olsson	as	Jainway
	Kurt Max Runte	as	Crow's Nest Tech
	Jill Teed	as	Head Nurse
	Anthony Konechny	as	Thach
	Michael Rowe	as	Air Force #1 (uncredited)

Available Posters

Some Reviews

Muito bom.Mas tem partes que uma seca.
Why must Hollywood scriptwriters of some genres of movies, especially monster, superhero and horror movies, so often think that the audience are total idiots? Or maybe they themselves are severely lacking in brainpower and do not understand the level of trash in what they spew out. In Godzilla scriptwriter Dave (David) Callaham should have a special dishonourable mention for ruining a promising movie.The movie started of with the obligatory nuclear power plant scenes. When it started I first thought, oh no not the blame nuclear power scare again. However, as it turned out, this was not so. Unfortunately, this was pretty much the only good part in the entire script. The rest of the script is just a collection of illogical, unintelligent garbage.It starts quite quickly when Fords father suddenly pulls of his mask, takes a sniff, and declares that there is no radioactivity in the air. Only a scientifically ignorant idiot writes something like that. Then we have the scene were the soldiers rush into The Nevada nuclear waste facility and checks the inspection hatch on every door until they find one where there is a light only to discover that the monster have broken free and left a gargantuan hole. A huge monster have broken through the walls of a nuclear waste facility leaving a whole big enough to drive a battleship through and no one would have noticed until some marines goes around and inspects the doors on the inside? Again, you have to be pretty unintelligent to write a scene like that.The entire plot is basically the same unintelligent mess. They follow the creatures around until they reach civilization. First then do they actually try and do something. That is just so nonsensical. In the case that a huge city-destroying creature would approach any large population center it would be blasted way before it reached it. Also, when they do attack they fire some light weaponry and maybe a tank gun or two against it. If millions of people were at risk I think it is not a very far fetched belief that the military would throw everything they had at the threat. And do not get me started on the hair-brained scheme of luring out the monsters to the sea with a nuke. What a load of bullocks!Okay, so with all this ranting, why did I give the movie as much as 6 out of 10 stars? Well, I am a fan of huge monster movies and the parts where the monsters rampage around destroying things or slugging it out against each others are great. Unfortunately this is pretty much the good that can be said about this movie.
**Fundamentals, reception.**1. American/Japanese live action feature length film, 2014, PG-13, 123 minutes, science fiction, action, thriller. The spoken word is in English, with some sub-titled Japanese.2. IMDB: 6.6/10.0 from 239,012 audience ratings.3. Rotten Tomatoes: 74% on the meter (average 6.6/10); 67% liked it from 171,052 audience ratings.4. I saw this film off DVR from Cinemax.5. Directed by: Gareth Edwards.6. **Starring**: Bryan Cranston as Joe Brody, Ken Watanabe as Dr. Ishiro Serizawa, Juliette Binoche as Sandra Brody, Sally Hawkins as Dr. Vivienne Graham, Aaron Taylor-Johnson as Ford Brody, Carson Bolde as Sam Brody, David Strathairn as Admiral William Stenz, Elizabeth Olsen as Elle Brody.7. Demographic targets: Godzilla fans, action fans, international market.8. (from Box Office Mojo) Estimated production budget, 160 million USD. Estimated gross revenue as of 01jan2015: States, 200.7 million USD (38%); overseas, 328.0 million USD (62%).**Setup and Plot**1. In the opening sequence, Joe Brody, his wife Sandra and son Ford are in Japan. Joe and Sandra work at a project that aims to contain some unexplained phenomena involving huge amounts of energy and a partially buried large object. The object turns out to be living, breaks much of the containment apparatus, and causes widespread tragedy. A heavier blanket of secrecy is applied.2. Jump forward to the present. Ford is grown up, is in the US armed services, and has a wife Elle and son Sam in San Francisco. Ford gets a call from Joe, then goes to Japan to get him out of jail. While Ford helps out Joe, the object (a 'muto') revives, breaks free this time, and flies away, leaving even more destruction and death than in years before.3. A second, larger muto awakens in Nevada. The two mutos are tracked by the US Navy, which is now actively involved. The mutos' activity awakens Godzilla from his long slumber in the Pacific.4. Ford and Dr. Serizawa are drawn into the military's quest to contain the mutos. Elle and Sam are at risk as the three giants converge on San Francisco.**Observations**1. True to tradition in Godzilla movies, human activity is depicted as futile. Most human efforts against giant monsters have no noticeable effect. The rest of our efforts catalyse the monsters to rain down more destruction on human cities and military personnel.2. In a few of the many Godzilla films I have seen, a child is rescued, or a trapped helpless person is released. But for each such action, thousands of human lives are lost, and tens of billions of dollars of real estate value are zeroed out. The contrast accentuates the helplessness of the human race against forces it cannot control and never will control.3. In a slight departure from what I'm used to in the Godzilla universe, a human being does something that will make the survival of the human race more likely. Watch the film; you can't miss it.4. Godzilla causes a huge amount of property damage and loss of life, though not nearly as much as the mutos cause. The case could be made that Godzilla in this film, as in many others, is indifferent to the fate of the human race. He does in the mutos in order to get back to his snooze beneath the Pacific.5. **One line summary:** Godzilla saves humanity from the mutos in an 8 minute appearance.6. Three stars of five.**Scores**1. **Cinematography**: 8/10 Some of the SFX were cheesy, but most were fabulous.2. **Sound**: 7/10 Few complaints. I could hear the dialog. The music was not too irritating.3. **Acting**: 6/10 Bryan Cranston, Ken Watanabe, Juliette Binoche, David Strathairn, and Sally Hawkins were fine in their limited roles. Aaron Taylor-Johnson's performance was both boring (beginning) and believably heroic (toward the end), so I ended up liking him.4. **Screenplay**: 6/10 The director stayed true to the franchise, but with updated SFX and a few other adjustments. The holes in the plot, though, seemed endless.
The big atomic lizard gets another make over.Back in 1954 Ishir Honda introduced to the film world Gojira, a creature that is still today seen as viable cinematic interest. Gojira, in spite of being a man in a rubber suit monster movie, is a smart and feisty film. Tapping into an oppressive nuclear age via moody atmospherics, whilst simultaneously imbuing plenty of creature feature carnage, it got the balance right. The makers of Godzilla 2014 have tried to do the same, they look back fondly to the original wave, pay it respect, but sadly they don't quite pull it off.Plot essentially finds the world under attack by some Kaiju (MUTO) monsters after humans keep dabbling in all things nuclear. The end is nigh, that is unless mankind can find an ally in Godzilla, an almighty prehistoric type lizard who itself is a product of some prior nuclear shenanigans.The human plot strands feature the usual secretive government suits mixing with science guys, all looking worried or running around in a fretful state. There's a father and son axis with the son a bad ass army guy who has a loving wife and child back home. Characters are many, and they take up a good portion of the film, unfortunately very few of them are interestingly written, which is a shame given the pic is packed with acting talent.It's a two hour plus movie, with the build up being very prolonged, with Zilla not showing up till the hour mark. This renders the main monster as a bit player in its own movie, a mistake often made by others in many a sequel to Honda's original. There's also the irritating fact that what all good Zilla movies need is a shed load of monster mayhem, plenty of smack-downs, but they are in short supply here and often rendered as background staples. Until the finale that isIt takes a long time to get there, but thankfully saving the pic from below average hell, it's not a let down. It thrills and opens up the eyes and ears considerably, but with that comes the annoyance that the good technical craft within the piece has previously been used sparingly, the decision to put bland characters at the forefront instead of cinema's most famous monster a huge error.Maybe, just maybe, it's time to let sleeping atomic lizard's lie? 6/10

Search Result :

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